Sculpted.

Creating meaning through making in my practice allows room to explore the unformed, fluid and fleeting experiences that cannot manifest as coherent language, into some tangible form so that I can layer them into concrete structures of meaning. In art and embodiment philosopher Maurice Merleau-Ponty explored a similar theory of embodied experience arguing against a mind body duality instead proposing an embodied approach where, art is thinking. My experimental process driven practice selectively introduces materials with a sense of fluidity, or convey notions of time/ space/light such as dichroic film and acrylic, these are used in unexpected ways in an attempt to illicit engaging unknown outcomes. In this way the meaning emerges within the making.